Quotes by Ben Kingsley
A cello's soul is the resonance that makes it unique: how it was made, when it was made, who's played it. Mine may be who my parents were, what I know about life, who I love and have loved. All that makes my bones resonate. If a director is fortunate enough to tap into that, it's an endless well of information.
– Ben Kingsley
I do despair sometimes. I was working with an actor recently who was so passionate to get into the role of a... borderline personality case, to say the least, that he would be shouting and screaming and pumping up and doing press-ups before the take and kicking the furniture - and hurting his hand once he banged it so hard... he forgot all his lines! Forgot everything, he'd exhausted the character off the set and arrived a wreck.
– Ben Kingsley
I find it thrilling to listen to two people playing with language like John Travolta and Samuel Jackson talking about hamburgers. I mean, that's a scene about language. And when the cinema does do scenes about language, it's wonderful to be in that room listening to how these people talk. I think cinema can celebrate language as well as use silence as a great device.
– Ben Kingsley
I met Simon Wiesenthal. I met him in Vienna and I had lunch with him. I witnessed his survivor's guilt first-hand. I witnessed him describing the liberation of Mauthausen concentration camp by the Americans in May '45. I witnessed the profound waves of emotion that he was trying to deal with and balance in his own old body, and that gave me some minuscule, tiny pin-hole camera into the true horrors of the Holocaust, which are incomprehensible, indescribable, unforgettable, possibly unforgivable.
– Ben Kingsley
I suppose an actor is largely made up of empathy, one has to be empathetic in order to act, and perhaps those antennae are out when meeting directors and when reading the script. When the empathy and the chemistry is completely out of whack, the days are interminably long and very, very difficult and you know in your heart that the film isn't going to work.
– Ben Kingsley
I think a good horror film can also include sexuality and passion and tensions and sensitivity, and I think if a horror film embraces all this mediums, then it can be a very sensually exciting event for the audience so that they are attracted and horrified at the same time. They're compelled towards this very positive force and at the same time they are frightened of it.
– Ben Kingsley
I think it's probably honest to say that there's a certain powerful stillness that I remember admiring tremendously as I grew up. And that would be Spencer Tracy... and Bogart and that particular approach to the work. The stillness, the economy, the grace of that work, so they would have been then, my heroes on the screen.
– Ben Kingsley
I think that really the director should try and shape what is there. I think the director should cast well , believe in his process of casting and then truly work with what is there, cause it's no good for the director wishing that someone else is playing the role and it is no good if the director is unable to truly say what that actor is offering.
– Ben Kingsley
I think that Shakespeare had his male side and his female side extremely well developed. And this was a great quality of the Elizabethan, all-around Renaissance man. They were not afraid of their male side and their female side co-existing. This somewhere along the line got lost. And then it got misunderstood.
– Ben Kingsley
I think that the secret is, again it brings me back to balance and a kind of mathematics. I realised this, and it was a shocking realisation, it was quite terrifying: that when I was playing Hamlet, I realised there was no way round it, for the two-and-a-half hours of that play I had to be as intelligent as the most intelligent man in dramatic poetic literature. I had to hold together.
– Ben Kingsley
I think with those who are gifted to make epic cinema, the vision required, again, is that the equation between the director and the story and the leading protagonists has to be one of mathematical precision and balance and grace. It's not possible to put the epic sweep of history that held Gandhi's life on screen unless the director himself has those qualities in him or her.
– Ben Kingsley
I use my intuition, my imagination, my voice and my body. That is really what actors do. There is a lot of nonsense talked about acting, but really all we do is use our voice, our body, our imaginations to create portraits about people so that you and the audience can be pulled into beautiful stories.
– Ben Kingsley
It's no good arriving on the set whining about not feeling up to it. It's part of the job, whilst you're there and whilst you're employed, to find the necessary energy and commitment to meet the energy and commitment of the director. Moments of self-doubt are not indulged in while you're working. You just have to sleep, learn your lines and get back on the set and do your job.
– Ben Kingsley
My guiding light was not learning to spin or having my trailer lined with photographs of Mahatma Gandhi, or my yoga classes - that's the mechanics of it... But the true guiding light, my yardstick of decency, intelligence and a profound respect for my fellow men was finally pushed out of my larynx and onto the screen - into a performance that is - it's based on you, it belongs to you, you are my guiding light and that is how I did it.
– Ben Kingsley
Of course, silence in the theater, when you know that that silence is being sustained before your eyes by a group of actors on stage can be equally thrilling. I think we undervalue silence as a very powerful currency. I think we're frightened of it right now. We fill it at the least provocation.
– Ben Kingsley