Quotes by Robert Carlyle
I feel with TV you're allowed more freedom. With television there's more time to create something through the episodes. The fact that you're working harder on the surface seems more difficult, but you get into a way of working where if you're not allowed to stop and breathe and think about it, you just go on instinctively, which is the way I prefer anyway. It becomes a more spontaneous thing.
– Robert Carlyle
I must have done something right because they gave me a grant to the Royal Scottish Academy Of Music And Drama in 1983. But I hated all that stuff they taught me while thumping out the rawness and energy I had. I went off and formed a small experimental, often political, theatre company called Rain Dog to unlearn it.
– Robert Carlyle
I'll spare you the actors' pretentious rubbish, but a face reflects experience, so if you concentrate on a character something happens to you physically. Many actors look at the costume before the part, and that seems crazy to me. It's much more fun to be ugly. Not that I think I'm ugly, but I've never considered myself good-looking.
– Robert Carlyle
The way a person moves tells you a lot about them. Look at the way I'm holding this coffee mug. If I were to thump it down on the table, I wouldn't be respecting your tape recorder. If I move it gently, it means I am showing some respect. These are the things I bring to my performances.
– Robert Carlyle
To be honest I've worked with a few American actors now and I was looking forward to that you know, coming up in my career thinking Yeah I'd like to work with some Americans because they seem to be very, very comfortable with improvisation. But that has not been my experience at all. They have to have things absolutely set.
– Robert Carlyle
When you work with Ken Loach, more than 60 per cent of it is NAR - No Acting Required - whereas with other scripts maybe only 10 per cent is NAR, and the rest is performance. It's switching off the performance head that attracts me, because it allows me to escape deeper into the real person. There's no gestures, nothing; it's not about actor's pauses, but human pauses.
– Robert Carlyle